Even though none of them were originally English shows, Money Heist and Squid Game must be two of the most popular Netflix series. One is a Spanish robbery thriller, and the other is a South Korean survival program. Both shows were equally beloved by the viewers, but when we compare Money Heist to Squid Game, groupings start to form. Two of the most well-known and popular Netflix series are Money Heist and Squid Game. Money Heist is a Spanish heist thriller, and Squid Game is a South Korean survival series. Groups form while determining which of the two concerts is the best, even though the majority of you enjoyed both. Do you look forward to settling this contentious argument? I believe it is impossible to choose the finest show because so much depends on personal preference. The two programs essentially portray the same message of financial inequity, even though they may initially appear to be different from one another, and both have sparked protests all over the world.
How is that even possible? merely consider it! Money Heist not only presents the theme of income and wealth inequality but also takes it to the next level, blaming the Government of Spain for the financial inequality in the country and inspiring protests both within the show and outside of it. Squid Game depicts the social life and conditions of South Korea, where the poor live in abject poverty while the rich enjoy life to the fullest. Even if we can’t decide which program is the best on this blog, you may let me know which of the two coins inspired by these two pop culture phenomena is your favorite. Just be sure to judge the coin itself and not the series!
Money Heist
The primary premise of money theft is that the wealthy flourish while the underprivileged suffer. If banks are already stealing money, why shouldn’t the average person? I admire how the professor nearly restrained his emotions from clouding his judgment and dictating how his ideas should be carried out. The royal bank theft and its risky consequences were accurately predicted by the professor. He was always correct straight away. Tokyo and Rio’s actions caused a lot of problems; thus, he is right that they don’t fit into the heist plan. Their mental capacity to handle emotional manipulation is lacking. This online series is written very well. The only thing that most of the watchers objected to was the numerous scenes of sexually explicit behaviors.
Depending on how you define genres, the Spanish TV series Money Heist could be classified as a bullet-pocked soap opera, a serial crime thriller, an epic love story, a makeshift family drama, or a dark workplace comedy. Above all else, though, it is a huge global crossover smash and the kind of flexibility that has allowed Netflix to sell both binge-worthy television and foreign-language entertainment in America. The writer-producer lex Pina’s tale of a stand-off between smooth criminals and the state was purchased by the streaming service, divided up into 22 smaller installments, and released upon an unprepared global public in 2017. The original two-season, 15-episode series was titled La Casa de Papel and aired on Spain’s Antena 3 channel in 2017.
And any attempt to sum up everything the writers, directors, and cast have packed within the framework of a standard caper tale structure runs the risk of sounding like a Stefon NYC nightclub recommendation. Everything is in this series: shootings, confrontations, and shouting contests. a chess player who always considers 15 moves ahead. It’s a cop vs criminal situation like in Heat, except this time the De Niro character is aggressively courting the Pacino persona. a cast of performers who are incredibly photogenic. Two massive robberies, including mini-heists inside the larger heists, were committed. Later seasons include a money-raining blimp over Madrid’s downtown, debates over the moral implications of torture authorized by the state and the precarious state of the world economy, and a pregnant police inspector who admires Putin. Crew members come and go, and even though you see the deaths of numerous important people, they keep coming back in a story that favors flashbacks, flip-forwards, and a quick, loose interpretation of time. There are chase scenes, grandiose action sequences, and a drawn-out siege that appears to have been ripped from a military film. Through double, triple, and quadruple crosses, “good” guys can turn into “evil” guys and vice versa. Violence? There are a ton of it. Romance? There is a ton of it. Within any given episode, there are so many stories turns that it becomes overwhelming.
Money Heist scarcely counts if the enjoyment of a heist story is, at least in part, the enjoyment of precision—the pleasant contrast when people with charismatically careless views toward the law turn out to have remarkable discipline and idiosyncratic microspecialties they put to bear on the scam. The fifth and final season of the most watched television program in history is currently streaming on Netflix, and it absolutely adores mess—physical, emotional, and bloody mess. The guys who can do impromptu surgery, use Browning rifles, and throw grenades are what the show about a motley crew of thieves known as Nairobi, Tokyo, and Helsinki loves, not the professionals. Managing hostages Set explosives off deliver infants. At first, this could be frustrating. As I did, if you come in expecting a show about the neat, amazing clockwork of a flawless atraco, you’ll find plenty of flaws. For instance, the action scenes are numerous and ridiculous, with almost comically pointless hailstorms of bullets. This is also true of the melodramatic narrative, which begins with a fatalistic narrator—Tokyo (rsula Corberó), terrified and on the run after her fiancé is killed during a botched bank heist—and then jumps wildly between the crime and egregiously ineffective flashbacks. They are preparing to attempt to take hostages at the Royal Mint of Spain and keep the police at bay for as long as they can in order to produce as much money as they can. To be honest, nobody looks quite up to the task.
Squid Game
This TV series is resembled a mixtape of other series. The Netflix algorithm may be virtually observed in action: “Let’s stick with the capitalism parable from Parasite, which got an Oscar. People like the bright uniforms and odd masks in Casa de Papel, so why not give them the opportunity to dress up as our characters on Halloween? This would boost the show’s free publicity. Oh, and Battle Royale was incredibly popular and influential, so let’s basically take the entire idea—down to the classical music and the upbeat female speaker!”
“Squid Game” can seem to have appeared out of nowhere to American viewers. But its success is not shocking. The series, which according to Netflix CEO Ted Sarandos is on track to surpass all previous viewing records, has dominated charts around the world, providing glaring evidence in favor of the streamer’s worldwide strategy. While it’s encouraging that so many people are interested in a project that they’re watching with subtitles (or dubbed), it doesn’t feel very innovative for people to swarm to one that gives them the option of having it both ways. Hwang Dong-“Squid hyuk’s Game” is a fictional tournament with 456 participants in which the victor will receive limitless fortune after enduring a cruel series of tragic encounters. These levels are taken from playground games for kids, which adds a touch of uncomplicated comedy to how violent they turn out to be: For example, during the first round of the competition, which is a modified version of “Red Light, Green Light,” more over half of the participants are shot to death. Hwang Dong-“Squid hyuk’s Game” is a fictional tournament with 456 participants in which the victor will receive limitless fortune after enduring a cruel series of tragic encounters. Viewers quickly come to understand that they are completely bought-in, adhering to their own set of rules, and fiercely believing in a game that they have attempted to present with an air of baroque innocence. This is done through the use of a detective who has infiltrated the system. It has clear, straightforward lines that both gamers and game developers are tied together by necessity and a peculiar attachment to the competitive rhythms. It has a sound structural design and appears sophisticated at first glance. The early format of the program also plays a role in this; after the first carnage, the survivors are given the option to leave, but many of them decide to come back on their own volition because they are so desperate for the money.
However, this is only the series’ starting point, and little further is developed from it. The stakes and level of inhumanity in “Squid Game” keep going up indefinitely. Its first salvo of hundreds of dead bodies seemed tough to beat, yet it surpasses itself in players’ savagery, which alternates fairly crudely with astonishing displays of mercy.
Squid Game Vs. Money Heist: The Art of Building Dramatic Tension
OTT platforms have made it quite simple for us to find material from all over the world in recent years. These days, national and linguistic borders have little effect on the content of movies, television shows, comedies, or anything else. Particularly Netflix has made high-quality programming from throughout the globe accessible to us, and that too in the global language of English. The Korean drama Squid Game is all about tension. You have no idea who is in charge of anything, how the players are chosen, or where the games are held. Every aspect of the act is hidden behind a curtain that you can never see through, including the masks, the jumpsuits, the use of numbers in place of names, and every small detail. We constantly make predictions about the upcoming game, just like the players do.
